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The Labours of Hercules

Pages
258
Published
1947
Language
English

Synopsis

Hercule Poirot, contemplating retirement, falls into conversation with his old friend Dr Burton, a classics scholar, who teases him about sharing a name with the hero of Greek myth. The detective, who knows little of his mythological namesake, reads up on the ancient Hercules and is privately appalled by the brawling brute he finds in the legends. Yet the structure of the Twelve Labours appeals to his sense of order, and he resolves on a conceit: before he hangs up his practice for good, he will accept exactly twelve final cases, each chosen to echo one of the labours. What follows is twelve linked stories, every one matched to a labour from the Nemean Lion to the capture of Cerberus. The parallels are playful and often ironic rather than literal, a kidnapped Pekinese stands in for the lion, malicious gossip becomes the many-headed hydra, so that the mythic scaffolding lets Christie range across blackmail, poisoning rumours, missing persons, drug rings, and quiet domestic menace. Poirot works mostly alone here, applying method and psychology to small human crimes dressed in heroic costume. The tone is lighter and wittier than the full novels, with the detective treating each commission as a self-imposed test of his own legend. The final case reunites him with an old adversary and brings the scheme, and a phase of his career, to a deliberate close.

About the author

A
Agatha Christie

Dame Agatha Christie (1890-1976) is the best-selling novelist of all time and the writer the world calls the "Queen of Crime." Born Agatha Miller in Torquay, Devon, she came to fiction on a dare: her sister Madge bet she could not write a convincing detective story, and the result, The Mysterious Affair at Styles, introduced the Belgian detective Hercule Poirot. Her dispensing work in a hospital pharmacy during the First World War, repeated again during the Second, gave her the expert knowledge...

Characters

Hercule PoirotProtagonist

The Belgian detective sets himself a vanity-tinged scheme of twelve final cases, half-amused and half-stung by comparison to his mythic namesake.

Dr BurtonSupporting

A classicist friend and fellow of an Oxford college whose teasing remark about the Twelve Labours sparks Poirot's entire retirement scheme.

Countess Vera RossakoffSupporting

Poirot's old flame and former adversary, a flamboyant Russian aristocrat who reappears in the final story and draws him into its underworld setting.

Miss LemonCameo

Poirot's brisk, hyper-efficient secretary, who frames the opening case by reading him the client's letter.

All characters in The Labours of Hercules

Frequently asked questions

  • What is the framing concept of the collection?

    Poirot decides to accept exactly twelve final cases before retiring, each chosen to mirror one of the Twelve Labours of the mythological Hercules. The idea comes from a conversation with his classicist friend Dr Burton, who jokes about the detective sharing a name with the Greek hero. The twelve stories are linked by this self-imposed scheme.

  • How does each story relate to Greek mythology?

    Each of the twelve stories is mapped to a specific one of Hercules' labours, such as the Nemean Lion, the Lernaean Hydra, the Arcadian Deer, and the capture of Cerberus. The parallels are usually playful or ironic rather than literal, for example a kidnapped Pekinese dog standing in for the lion and malicious gossip representing the many-headed hydra.

  • Is the book a novel or a short story collection?

    It is a collection of twelve linked short stories rather than a single continuous novel. The stories share the unifying framing device of Poirot's twelve final cases. Most were first published individually in magazines before being gathered into book form.

  • Where were the stories originally published?

    The stories were serialised from 1939, appearing in the Strand Magazine in the UK and in This Week and Ellery Queen's Mystery Magazine in the US. They were collected into book form in 1947. Some carried different titles in their original magazine appearances.

  • What is the significance of the name Hercule Poirot here?

    The collection is built on a pun between Poirot's first name, Hercule, and the Greek hero Hercules. Reading about his namesake leaves Poirot privately appalled at the brutish figure of myth, yet inspired to recast his own detective work as a modern set of labours. The whole premise turns on this wordplay.

  • Does Countess Vera Rossakoff appear in this collection?

    Yes, she returns in the final story, 'The Capture of Cerberus', as the deuteragonist. She is Poirot's old love interest and former adversary, first introduced in the earlier story 'The Double Clue'. Her reappearance gives the collection's close a personal note.

  • Was there a David Suchet television adaptation?

    Yes, it was adapted as a feature-length episode of Agatha Christie's Poirot, first broadcast in November 2013 as part of the thirteenth and final series. Rather than dramatising all twelve stories, the adaptation condenses several of them into a single plot set largely at a snowbound hotel in the Swiss Alps. The central thread draws on 'The Erymanthian Boar'.

  • Was one of the stories rewritten for the book?

    Yes, 'The Capture of Cerberus' was rejected by the UK Strand Magazine, so Christie wrote an entirely different version for the 1947 book. The original rejected version went unpublished for decades and was rediscovered by archivist John Curran around 2009.

  • Where does the book fall in the Poirot series?

    It is one of the later Poirot titles, published in 1947, and is sometimes numbered around the twenty-sixth entry depending on the list used. Despite the retirement framing, it is not the chronological end of Poirot's career, as Christie continued writing him for years afterward.