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Lost in a Good Book

Pages
416
Published
2002
Language
English

Synopsis

Literary detective Thursday Next faces her toughest case yet after the Goliath Corporation erases her husband from existence. To save him, she must join Jurisfiction, an internal police force that maintains order within the pages of classic novels. Between training with a grumpy Miss Havisham and stopping a world-ending sludge, Thursday has to navigate the dangerous reality of fiction to get her life back.

About the author

J
Jasper Fforde

Jasper Fforde is an English novelist, born in London in 1961 and now living in Wales. After working as a focus puller on films including GoldenEye and The Mask of Zorro, he published his first novel, The Eyre Affair, in 2001, after 76 publisher rejections. He is best known for the Thursday Next series, a run of literary comic fantasies set in an alternate Britain where characters can be entered inside books. He has also written the Nursery Crime novels featuring detective Jack Spratt, the dystop...

Characters

Thursday NextProtagonist
Landen Parke-LaineSupporting
Miss HavishamSupporting
Beatrix PotterCameo
All characters in Lost in a Good Book

Frequently asked questions

  • Do I need to read the first book before Lost in a Good Book?

    This book is the second installment in the Thursday Next series and builds directly on events and character developments from the first book, "The Eyre Affair." While some context is provided, reading the first book will significantly enhance understanding and enjoyment of the ongoing plotlines and character relationships.

  • Does Lost in a Good Book have a film or TV adaptation?

    As of my last update, there is no direct film or television adaptation of "Lost in a Good Book" or the Thursday Next series.

  • What makes the Thursday Next series unique compared to other literary fantasies?

    The series is notable for its extensive use of intertextuality, where characters literally enter and interact with classic literature, and for its playful, often satirical, commentary on literary criticism and the publishing world. It blends elements of detective fiction, science fiction, and fantasy with a distinctly British comedic sensibility.

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