Skip to content

La curée

Pages
416
Published
1976
Language
French

Synopsis

In the opulent yet corrupt Paris of Napoleon III, ruthless speculators carve up the city's heart for quick fortunes. This volume of the Rougon-Macquart series exposes the moral decay of a family, particularly Aristide Saccard, whose success comes at the cost of his wife Renée and son Maxime, both entangled in depraved relationships. Zola's unflinching portrayal of societal vice and personal corruption sparked outrage, yet he defended his work as a necessary truth.

About the author

É
Émile Zola

Emile Zola was a French journalist and novelist known for his series of 20 novels known collectively as Les Rougon-Macquart (1871-93). Zola's style was called literary naturalism; his novels were attacked and even banned for their frankness and sordid detail, and caused quite a bit of controversy in their day. The same traits made him a best-selling author and a star of French literature in his day. In 1898 he then further incurred the wrath of French officials when he published the open letter...

Characters

Aristide SaccardProtagonist
Renée SaccardSupporting
Maxime SaccardSupporting
All characters in La curée

Frequently asked questions

  • Does La curée need to be read in order within the Rougon-Macquart series?

    While La curée is part of Zola's Rougon-Macquart series, it functions as a standalone narrative focusing on Aristide Saccard's rise in Second Empire Paris. Readers can fully appreciate its plot and character development without prior knowledge of other books in the series.

  • What real-world events inspired La curée?

    La curée draws heavily on the urban planning and financial speculation that characterized Baron Haussmann's renovation of Paris during the Second Empire. Zola meticulously researched the architectural changes and the accompanying social and economic upheaval to create a vivid, critical portrayal of the era.

  • Are there any film adaptations of La curée?

    La curée has been adapted into a film, notably a 1966 French production directed by Roger Vadim. This adaptation captures the opulent and decadent atmosphere of Zola's novel, though it takes some liberties with the original plot.