Marcus KliewerHorror · Thriller
We Used to Live Here
Synopsis
Eve Palmer and her girlfriend Charlie are house flippers who have just bought a fixer-upper in the Pacific Northwest. Then, one evening, a family of five appears on the doorstep. The father, Thomas Faust, warm and insistent, explains that he grew up in this house — and asks whether he might show his wife and children around, just for a few minutes. Against her better judgment, and fighting her own anxiety, Eve lets them in.
The visit does not end. As the strangers settle deeper into the house, small wrongnesses accumulate: a child goes missing, a presence stirs in the basement, doors and rooms stop behaving the way they should. Charlie disappears, Eve's sense of what is real begins to fray, and the line between her anxiety disorder and genuine dread dissolves.
Interleaved with Eve's account are documents exploring the "Old House" — a conspiracy theory that certain houses are portals linking alternate realities, and that visitors can become permanently trapped inside. Marcus Kliewer's debut is a claustrophobic, reality-bending horror novel about intrusion, gaslighting, and the terror of not being believed.
How it reads
- Writing3.0
- Impact3.0
- Characters2.0
- Plot3.0
- Atmosphere2.0
Prose complexity 7/10
Content warnings (4)
ViolenceGoreAnimal CrueltyAbuse
- There is something deeply horrifying about the idea of losing your mind without knowing you’re losing it. We Used to Live Here got under my skin because it made me question the one thing I normally take for granted: my own perception. What if the memories I trust aren’t real? What if the things I see aren’t actually happening? And, worst of all, what if I was slowly losing my mind and genuinely had no idea? That’s where the horror lives for me. Not in what might be inside the house, but in the terrifying possibility that I might be the unreliable part of the equation. By the end, I was questioning everything… including myself. And honestly, that’s a much scarier thought than any monster could give me. Because how do you fight something when you can’t even trust your own mind to tell you it exists?
- Overall, this was a really fun, wild run. At first, the narration annoyed me a little with the repeated mention and focus on Eve's rumination habits, her people-pleasing personality, etc. and as much as I could personally relate to her, at some point, it had me thinking, ok we get it! Luckily, it seems like the author found the proper voice and the narration improved as the story moved forward and the storyline became actually engaging. I really loved the little pieces of research/commentary we got here and there as they created a bigger picture of the Old House and the related incidents. Despite all of that, I was so scared it would turn out to be a case of an unreliable narrator in the end, because Eve's case seemed... different from the previous incidents. But I really liked the ending, I liked the whole story.
- I think this is more of a psychological thriller than it is a horror. I was confused by the choices that were made by Eve (why not keep going when you had the chance??). I didn't care for the last third of the book. I had so many questions that I didn't feel like were answered. The ending did not work for me. Perhaps it will translate better in the movie.
- It was a cute little head spinner. I expected a longer and maybe more complicated ending? But still a good read.
- 3.5 ⭐️
- Wtaf.