Y
Yael van der Wouden
Dutch writer
The Safekeep
In the rural Dutch province of Overijssel in 1961, Isabel lives alone in the country house where she grew up, keeping her late mother's rooms exactly as they were. Her days run on routine and vigilance: she counts the silverware, distrusts the housekeeper, and guards the home as though it might be taken from her. When her brother Louis arrives with a new girlfriend and asks Isabel to let the woman stay for the summer, that careful order is upended.
Eva is everything Isabel is not — loud, careless, unbothered by the rules of the house. Isabel watches her with mounting suspicion as small objects begin to go missing, one by one. But suspicion is a strange, porous thing, and over a long, close, sweltering season the wary distance between the two women narrows into something far more consuming and dangerous than either expected.
Yael van der Wouden's Booker-shortlisted debut is a taut, sensuous chamber piece that slowly widens into a reckoning with memory, ownership, and the buried history of the postwar Netherlands. Precise and quietly devastating, it asks who a house truly belongs to, and what a country agrees to forget. Best read knowing as little as possible — its final movement recasts everything that came before.
A rigid, solitary young woman who guards her late mother's house against any perceived intrusion.
Louis's girlfriend, left to stay for the summer; brash and unruly where Isabel is controlled.
Isabel's brother, who brings Eva into the house.
Isabel's other brother.