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The Myth of Sisyphus and Other Essays

Pages
212
Published
1942
Language
English

Synopsis

In this foundational work of absurdist philosophy, first published in French in 1942 as Le Mythe de Sisyphe, Albert Camus opens with a stark claim: the only serious philosophical question is whether life is worth living. Through a series of interconnected essays, he examines "the absurd" — the tension between humanity's search for meaning and the universe's silence — and the figures who confront it without appeal to false hope: the seducer, the actor, the conqueror. The collection closes with its title essay, recasting the Greek myth of Sisyphus, condemned to push a boulder up a mountain for eternity, as an image of the human condition, and famously concludes that "one must imagine Sisyphus happy."

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About the author

A
Albert Camus

Albert Camus was a French Algerian author, philosopher, and journalist who was awarded the Nobel Prize for Literature in 1957. He was a key philosopher of the 20th-century and his most famous work is the novel L'Étranger (The Stranger). In 1949, Camus founded the Group for International Liaisons within the Revolutionary Union Movement, which was a group opposed to some tendencies of the surrealistic movement of André Breton. Camus was the second-youngest recipient of the Nobel Prize for L...

Frequently asked questions

  • Does this book need to be read in a specific order with the author's other works?

    While this collection of essays functions as a standalone philosophical inquiry, it is thematically linked to the author's novel The Stranger and his play Caligula. Many readers find that engaging with these fictional works alongside the essays provides a more comprehensive understanding of the author's exploration of the absurd.

  • Is the entire book about the Greek myth of Sisyphus?

    The title essay regarding Sisyphus appears only in the final section of the book. The preceding chapters serve as a foundational philosophical argument that builds toward the author's specific interpretation of the myth as a metaphor for the human condition.