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Giant's bread

Pages
379
Published
1970
Language
English

Synopsis

A modern opera called The Giant divides its audience at the opening of a new London opera house, and the question of who wrote it reaches back across a lifetime. The composer is Vernon Deyre, an Englishman raised in lonely privilege at a crumbling country estate, where music takes hold of him before he can name what it is. The story follows him from a sheltered, imaginative childhood through the friendships and loves that shape him: his fierce cousin Joe, who longs to sculpt; the devoted Sebastian Levinne, whose family settle near the Deyres; the beautiful, timid Nell Vereker, who draws Vernon toward an ordinary life; and the older singer Jane Harding, who understands the music in him as no one else does. War interrupts everything, and a wounded, displaced Vernon must rebuild a sense of self from fragments. At the center is a steady tension between the people who love him and the work that demands all of him, and the question of what a gifted life costs those near it. Tracing one man across decades of England before and after the First World War, the narrative weighs love against vocation, family expectation against private compulsion, and asks whether genius can be served without sacrificing the ordinary happiness of others.

About the author

A
Agatha Christie

Dame Agatha Christie (1890-1976) is the best-selling novelist of all time and the writer the world calls the "Queen of Crime." Born Agatha Miller in Torquay, Devon, she came to fiction on a dare: her sister Madge bet she could not write a convincing detective story, and the result, The Mysterious Affair at Styles, introduced the Belgian detective Hercule Poirot. Her dispensing work in a hospital pharmacy during the First World War, repeated again during the Second, gave her the expert knowledge...

Characters

Vernon DeyreSupporting

Driven by an inner compulsion toward music that repeatedly collides with his capacity for ordinary love and loyalty.

Nell VerekerSupporting

Timid and drawn to security and comfort, she embodies the conventional happiness Vernon cannot fully give himself to.

Jane HardingSupporting

Sees the artist in Vernon more clearly than anyone, complicating his life with a different kind of devotion.

Sebastian LevinneSupporting

Jewish, perceptive and steadfast, often portrayed as the most sympathetic of the central group.

Joe (Josephine) WaiteSupporting

Independent and rebellious, a champion of the weak who resists conventional expectations placed on women.

All characters in Giant's bread

Frequently asked questions

  • Is this a detective or mystery novel like Agatha Christie's usual work?

    No. Giant's Bread is a serious mainstream novel about a composer's life, love, and artistic ambition. Christie wrote it deliberately as a 'straight' novel away from her detective fiction, exploring character and emotion rather than crime.

  • Why is the author named Mary Westmacott if Agatha Christie wrote it?

    Mary Westmacott was a secret pen name Agatha Christie used for her non-detective fiction. Giant's Bread, published in 1930, was the first novel released under that name.

  • How long did Christie keep the Mary Westmacott identity secret?

    She kept it hidden for roughly two decades. The pseudonym was an anonymous creative outlet from 1930 until 1949, when her authorship was publicly revealed in a newspaper gossip column.

  • How many novels did Christie publish as Mary Westmacott?

    Six in total. Giant's Bread was the first; she continued publishing under the Westmacott name even after her identity was exposed in 1949.

  • What is the novel actually about?

    It follows Vernon Deyre, an English composer, from his isolated childhood through love affairs, war, and his pursuit of an original modern opera. At its heart is the tension between personal happiness and total devotion to art.

  • When and where is the story set?

    It spans England in the decades before and during the First World War, written in the period between the two world wars, and reflects the social attitudes and upheaval of that era.

  • Does the book deal with music seriously?

    Yes. Modern and experimental music and a composer's ambition are central subjects, including the creation and premiere of an unconventional opera that divides its audience.

  • How does it compare emotionally to her detective novels?

    It has a more personal, emotional, and reflective register than her crime fiction. The Westmacott novels are widely regarded as her more intimate, semi-autobiographical work.