June Hayward and Athena Liu were supposed to be twin rising stars of the literary world. Instead, Athena is a wildly successful, critically adored Chinese American novelist, and June is a struggling white writer no one remembers. When Athena dies in a freak accident, June impulsively steals her just-finished manuscript, a sweeping novel about the Chinese laborers of the First World War, and revises and publishes it as her own, under the racially ambiguous pen name Juniper Song. The book is a smash, and June finally has the fame she believes she deserves. But the lie is fragile. As readers, journalists, and the internet begin to probe the story's origins, accusations of plagiarism and cultural appropriation gather, and June is pulled into a spiral of justification, paranoia, and escalating deceit. Narrated entirely in June's slippery, self-serving first-person voice, this contemporary novel is a sharp, propulsive satire of the publishing industry, performative diversity, racism, and the outrage machine of social media. It is Kuang's first departure from fantasy, turning her eye on the very business that made her, and on who gets to tell which stories.
