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The Year of the Flood

Published
2009
Language
English

Synopsis

Margaret Atwood returns with a chilling vision of the future where environmental collapse has reshaped the world. Two women, a trapeze dancer and a member of a nature-worshipping cult, find themselves among the few survivors of a global flood. As they navigate a dangerous new reality filled with mutated creatures and desperate survivors, they must decide how to move forward in a world irrevocably changed.

About the author

M
Margaret Atwood

Margaret Eleanor Atwood is a Canadian novelist, poet, essayist and literary critic. Born in Ottawa, Ontario, on 18 November 1939, she has written more than fifty books of fiction, poetry, criticism and graphic work, published in more than forty-five countries. Her novels include The Handmaid's Tale (1985), which won the Governor General's Award and the Arthur C. Clarke Award and was shortlisted for the Booker Prize, and its sequel The Testaments (2019), a joint winner of the Booker Prize. She h...

Characters

Adam OneSupporting
All characters in The Year of the Flood

Frequently asked questions

  • Is The Year of the Flood part of a series?

    This novel is the second book in Margaret Atwood's MaddAddam trilogy, following Oryx and Crake. While it introduces new perspectives and characters, it expands upon the world and events established in the first book.

  • Does The Year of the Flood have a connection to other Margaret Atwood books?

    The Year of the Flood is deeply intertwined with Oryx and Crake, sharing characters, settings, and a timeline, offering a different viewpoint on the same catastrophic events. It also continues the overarching narrative that concludes in MaddAddam.

  • Should I read Oryx and Crake before The Year of the Flood?

    Reading Oryx and Crake first provides essential context for the world and many of the events referenced in The Year of the Flood. While this book introduces new protagonists, understanding the preceding narrative significantly enhances the reading experience.

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