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The sorcerer's house

Pages
304
Published
2010
Language
English

Synopsis

Told entirely through letters, this epistolary novel follows Baxter Dunn, a recently released convict who arrives in the small town of Medicine Man, Arizona, and discovers that he has somehow inherited a large, strange, and apparently magical house from a sorcerer who has gone missing. As Baxter writes to his twin brother George, to a former college friend who became wealthy, and to others, a picture assembles of a house that does not behave as houses should — rooms that open onto impossible spaces, supernatural visitors, shapeshifters, and creatures from folklore and myth that take a disturbingly practical interest in Baxter and what he now owns. The epistolary form is not just a stylistic choice: the letters are the only source of information, and Baxter is an unreliable, self-interested narrator whose charm and persuasiveness have always been his primary tools. Gene Wolfe uses the form to let readers read between the lines — to catch what Baxter omits, misremembers, or chooses not to say — while telling a story of uncanny inheritance, supernatural bargains, and what it means to be given something you haven't earned.

Characters

Baxter DunnProtagonist

A recently released convict who inherits a sorcerer's house in Arizona; he narrates the novel entirely through letters, and his charm and unreliability are central to the reader's experience.

George DunnSupporting

Baxter's twin brother, a successful and respectable man; most of Baxter's letters are addressed to him, and the contrast between the twins drives much of the novel's subtext.

Doris GriffinSupporting

A real estate agent in Medicine Man who becomes entangled in the supernatural complications surrounding the house and its new owner.

EmlynSupporting

A shapeshifter who appears in multiple guises throughout the novel and whose agenda toward Baxter and the house is gradually clarified.

All characters in The sorcerer's house

Frequently asked questions

  • Is The Sorcerer's House told in an unusual format?

    Yes — the entire novel is composed of letters. There is no traditional narrator or omniscient prose; everything the reader learns about events comes through correspondence between Baxter and the various people he writes to. Wolfe uses the epistolary form deliberately to exploit the unreliability and selectivity of a narrator who writes only to persuade.

  • Who is the protagonist — Baxter or George Dunn?

    Baxter Dunn is the protagonist. George is his twin brother and the primary recipient of Baxter's letters — a successful, respectable man whose life serves as the implicit counterpoint to Baxter's history of con artistry and imprisonment. The contrast between the twins is one of the novel's central dynamics.

  • What kind of fantasy is this — what supernatural elements appear?

    The supernatural in The Sorcerer's House is drawn from folklore and fairy tale rather than epic fantasy: shapeshifters, creatures from myth, and a house with spatial properties that defy physics. Wolfe grounds the uncanny in a realistic American small-town setting, creating an effect closer to magical realism than secondary-world fantasy.

  • Is Baxter Dunn a reliable narrator?

    No — and the novel is designed so readers will notice. Baxter is a charming former con man writing letters to people he wants to impress, persuade, or manipulate. Wolfe places gaps and contradictions in the letters that attentive readers will catch, and much of the novel's secondary meaning lives in what Baxter does not say or chooses to frame favorably.

  • Was The Sorcerer's House a finalist for any awards?

    Yes. The Sorcerer's House won the World Fantasy Award for Best Novel in 2011, one of the field's most prestigious recognitions for fantasy and horror fiction. It is among the last major novels Wolfe published before his death in 2019.

  • Is this book connected to Gene Wolfe's other work?

    It stands alone — it shares no characters, setting, or mythology with The Book of the New Sun or The Wizard Knight. The connection to Wolfe's other work is thematic: like much of his fiction, it centers on a narrator of questionable honesty, a layered reality that exceeds the narrator's understanding, and a protagonist who may be more sinned against than sinning.