O
Orlando Figes
Natasha's Dance
Beginning in the eighteenth century with the building of St. Petersburg and culminating with the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. Skillfully interweaving the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, Figes reveals the spirit of "Russianness" as rich and uplifting, complex and contradictory--and more lasting than any Russian ruler or state.
The narrative is structured around thematic silos rather than a strict linear timeline, which means the book frequently shifts between different centuries to explore specific cultural ideas.
The text is specifically written for a general audience and does not assume the reader has any prior familiarity with the subject matter.