In the early hours of a January morning in 1978, a stranger walks into a Florida sorority house and destroys the lives inside it. Pamela Schumacher, the chapter president, is the only person to get a clear look at him — and for the rest of her life she will be defined by those few seconds, reduced in the public imagination to a footnote in the legend of a charismatic, endlessly mythologized killer.
Jessica Knoll's novel deliberately refuses to name that killer or dwell on his supposed genius. Instead it braids Pamela's story together with that of Tina Cannon, a woman across the country connected to another of his victims, as the two of them pursue the truth and insist on the humanity of the "bright young women" he murdered. Moving between 1978 and the decades that follow, it is a furious, propulsive corrective to a culture that romanticizes serial killers while forgetting the people they killed.
Inspired by real events, Bright Young Women is both a gripping thriller and a pointed argument about whose stories we choose to tell.