What order should I read the Beartown trilogy?

The correct reading order for the Beartown trilogy is "Beartown," followed by "Us Against You," and then "The Winners."

Is Beartown part of a series?

Beartown is the first book in a trilogy that continues with Us Against You and The Winners. While each book has its own narrative arc, the overarching story and character developments build across all three novels.

Is there a Beartown TV series?

There is a Swedish-language television adaptation of Beartown available for streaming. It closely follows the events and character arcs of the novel.

How does Beartown connect to Fredrik Backman's other books?

While Beartown is set in its own distinct world, it shares Fredrik Backman's characteristic focus on community dynamics, moral dilemmas, and the complexities of human relationships, similar to his other works like A Man Called Ove, but with a more pronounced dramatic and less comedic tone.

Beartown

Reader reviews of Beartown

Patient Bookworm · 2026-07-01T04:32:00.000000Z

Beartown by Fredrik Backman - 4 Star I finished this book angry. Not at Backman—at every person I've ever known who chose team loyalty over believing a survivor, at every community that sacrificed a girl to protect a boy's future, at myself for understanding exactly how Beartown makes its terrible choice. That's what Backman does here: he doesn't write about monsters. He writes about ordinary people making monstrous decisions, and that's infinitely more disturbing. The setup feels almost too familiar if you've lived in a small town: hockey isn't recreation—it's religion, economy, identity. Beartown's dying. The factory closed. Young people leave. The only thing keeping this place on any map is its junior hockey team, and this year they might actually win nationals. Kevin Erdahl—seventeen, talented, already being scouted—carries the entire town's hope on his shoulders. When he rapes Maya Andersson after a party, when she reports it, the town doesn't rally around her. They circle their star player. I kept thinking about Maya throughout. Fifteen years old. The general manager's daughter. She's loved Kevin from a distance for years, trusted him enough to be alone with him. And when she says no, when she fights back, when she survives—the town treats her like the problem, not him. Backman captures something brutally accurate: how quickly a community weaponizes "he has a future" against "she's making accusations," how survival becomes secondary to sports success. Neil Smith's translation carries Backman's particular rhythm perfectly—those short, stabbing sentences that accumulate like punches. The omniscient narration moves between characters seamlessly, showing us Kevin's entitled confidence, Maya's fracturing sense of safety, Peter's (her father) devastation at watching his town betray his daughter. We're inside everyone's head, which means we understand how good people make terrible choices, how fear and economic desperation corrupt moral clarity. What destroyed me: the women who side against Maya. The mothers who whisper that maybe she wanted it, maybe she's lying, maybe she's trying to ruin Kevin's life. Backman doesn't make these women cartoonish villains—he shows how internalized misogyny operates, how women police other women to maintain proximity to male power. It's more disturbing than if they were simple antagonists. The case gets dropped. Insufficient evidence—it always is. Maya contemplates suicide, contemplates murder, finally settles on confronting Kevin with an unloaded shotgun just to make him feel the terror she's carried since he assaulted her. That scene gutted me. The understanding that she'll never get justice, never get safety, so she settles for giving him one moment of fear that might—might—make him remember what he did. But four stars instead of five because Backman occasionally over-explains. The prose sometimes announces themes rather than trusting readers to extract them. Lines like "She was fifteen, a child. He was seventeen, a boy. In everyone's eyes, she became 'the young woman' and he remained 'the boy'" are powerful but slightly heavy-handed. I already understood from the narrative; I didn't need it underlined. Additionally, certain secondary characters feel slightly archetypal—the alcoholic ex-player, the tough female hockey coach, the closeted gay player—serving thematic purposes more than existing as fully complex humans. They're not poorly drawn, just occasionally predictable. The ending offers partial redemption. Maya doesn't leave town; she refuses to be driven out. Some community members finally stand with her. It's not triumph, but it's survival. Backman understands that in these situations, survival itself constitutes victory. Four stars because Beartown accomplishes something essential: it documents how communities choose silence, how they sacrifice individuals to preserve collective identity, how "he has potential" becomes weapon against "she was hurt". Backman forces us to witness the mechanisms of institutional betrayal while making us understand—not forgive, but understand—how ordinary people participate in it. I keep thinking about this book months later. That means it worked.

By&

Literary Fiction Contemporary Literature

Pages: 496
Published: 2016
Language: English

Synopsis

Beartown is a small, dwindling community buried deep in the Swedish forest, a place slowly losing ground to the trees and to its own decline. What it still has is hockey. Down by the lake stands an old ice rink, and the town's junior team — a handful of teenage boys — is about to play in the national semi-finals, carrying the hopes of everyone who has ever believed that Beartown could matter again.

But the weight of those expectations proves catastrophic. After the biggest game of their lives, a violent act involving the team's brightest star leaves a teenage girl traumatised and splits the town in two. As accusations spread, neighbours, parents, and friends are forced to choose sides, and Beartown discovers exactly what it is willing to sacrifice — and whom it is willing to protect — for the sake of winning.

Fredrik Backman turns a story about small-town sport into a searching, many-voiced novel about loyalty, complicity, and courage. The first book in the Beartown trilogy, it examines how a community closes ranks, how silence is enforced, and what it costs one family to insist on the truth when everyone would prefer they stayed quiet.