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A Clockwork Orange

By&
Pages
162
Published
1962
Language
English

Synopsis

In a bleak near-future England, fifteen-year-old Alex leads his gang of "droogs" on nightly sprees of theft, assault, and what he calls ultraviolence, narrating it all in Nadsat — a hypnotic invented slang built from Russian, rhyming cant, and street argot. Alex is intelligent, charming, and utterly without remorse, and when a break-in ends in murder, he is caught and imprisoned.

Offered early release, Alex volunteers for the Ludovico Technique, an experimental aversion therapy meant to make him physically incapable of violence. But in curing his cruelty, the state also destroys his ability to choose between good and evil — raising the novel's central question: is a man who cannot choose to be bad still a man at all?

First published in 1962, Anthony Burgess's A Clockwork Orange is a landmark of dystopian literature and moral philosophy, as celebrated for its dazzling invented language as for its unsettling argument about free will, the individual, and the power of the state. It was famously adapted by Stanley Kubrick.

About the author

A
Anthony Burgess

John Anthony Burgess Wilson, who published under the name Anthony Burgess, was an English writer and composer. Although Burgess was primarily a comic writer, his dystopian satire A Clockwork Orange remains his best-known novel. In 1971, it was adapted into a controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book. Burgess produced numerous other novels, including the Enderby quartet, and Earthly Powers. He wrote librettos and screenpl...

Characters

Alex (A Clockwork Orange)Protagonist

Fifteen-year-old gang leader and narrator, articulate, music-loving and without remorse. The novel gives him no surname; DeLarge was invented for the 1971 film.

BillyboyAntagonist

Leader of a rival teenage gang and Alex's enemy on the street.

DimSupporting

The slow-witted, brutish member of Alex's droogs.

F. AlexanderSupporting

A writer whose home Alex's gang invades, and who reappears later in the novel.

Dr. BrodskySupporting

One of the two scientists administering the Ludovico Technique.

All characters in A Clockwork Orange

Frequently asked questions

  • Why do some editions of A Clockwork Orange have 20 chapters and others 21?

    Burgess wrote the book in twenty-one chapters — three parts of seven — and that is how William Heinemann published it in Britain in 1962. When W. W. Norton brought it out in the United States in 1963 the publisher cut the final chapter, and that shorter twenty-chapter text was the only version available to American readers until 1986. Both texts are still in print, so the edition you pick decides which ending you get. Check the contents page: if it stops at chapter 20, you have the American cut.

  • What happens in the missing twenty-first chapter?
  • Does the book end the same way as Stanley Kubrick's film?

    No. Kubrick worked from the twenty-chapter American edition, so his 1971 film ends where that text ends and never reaches the final chapter of Burgess's original. A reader coming to the book from the film and picking up a British or post-1986 American edition will find one more chapter than they were expecting.

  • What is Nadsat, and is the book hard to read because of it?

    Nadsat is the teenage slang Alex narrates in — the name is from the Russian suffix for "-teen" — which Burgess built mostly from Russian, plus rhyming slang and Romany. There is no glossary in the original edition and none is needed: the vocabulary repeats in context until it reads naturally, usually within twenty or thirty pages. Burgess described the effect as a brainwashing primer, since the reader absorbs a few hundred Russian words without deciding to. Most readers find the first chapter the only genuinely slow one.

  • Why do some editions of the book have a different ending than others?

    The novel was originally written with 21 chapters, but the final chapter was omitted from early American editions at the publisher's insistence to create a darker, more cynical conclusion. Most modern editions have restored this 21st chapter, which depicts the protagonist's eventual maturation and rejection of his former lifestyle.

  • How does the film adaptation compare to the book?

    The 1971 film directed by Stanley Kubrick is based on the truncated American version of the novel, meaning it excludes the final chapter and its themes of character redemption. While the author initially praised the film's technical brilliance, he later expressed frustration that the adaptation lacked the moral complexity of his original intended ending.

  • Is there any real-world inspiration for the Nadsat language?

    The invented slang is primarily derived from Russian, with the term Nadsat itself being a suffix equivalent to the English teen. The author developed this linguistic layer after spending time in Russia and intended it to distance the reader from the protagonist's violent actions through a unique, rhythmic vocabulary.

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